The Big Broadcast of 1936! A Symphony of Vaudeville, Romance and Slapstick Comedy
For aficionados of classic cinema seeking a delightful escape into the golden age of Hollywood, I wholeheartedly recommend “The Big Broadcast of 1936.” This musical extravaganza, a veritable symphony of vaudeville acts, romantic entanglements, and uproarious slapstick comedy, offers a glimpse into the effervescent world of pre-war entertainment. Released in 1935, this Technicolor marvel transports viewers to a bygone era where jazz reigned supreme, radio waves crackled with excitement, and the silver screen shimmered with star power.
“The Big Broadcast of 1936” boasts an ensemble cast that reads like a who’s who of Hollywood royalty. Leading the charge are the iconic comedic duo of W. C. Fields and Stuart Erwin. Fields, renowned for his sardonic wit and curmudgeonly charm, plays the role of Egbert Sousé, a self-proclaimed musical genius whose outlandish compositions and stage antics provide endless amusement. Erwin portrays the hapless but well-meaning Harold “Harry” Pierce, who finds himself caught in a web of romantic complications alongside the effervescent Carole Lombard.
Lombard’s portrayal of Dorothy “Dottie” Lamar, a vivacious radio singer yearning for stardom, is a testament to her comedic timing and undeniable screen presence. The chemistry between Lombard and Erwin crackles with genuine warmth, making their on-screen romance both endearing and believable.
Beyond the main trio, “The Big Broadcast of 1936” features an array of talented performers who add depth and dynamism to the ensemble cast. The legendary dancer and choreographer Busby Berkeley directs elaborate musical numbers that showcase the era’s predilection for spectacle and grandeur. These sequences are visually stunning, featuring intricate formations and synchronized movements that push the boundaries of cinematic choreography.
The film’s plot revolves around a radio talent contest orchestrated by Dottie Lamar’s ambitious manager, Mr. Big. The competition attracts a diverse array of eccentric performers, each vying for the coveted prize – a chance to appear on a national broadcast. Amidst the whirlwind of rehearsals, backstage shenanigans, and romantic pursuits, Egbert Sousé emerges as an unlikely hero.
Sousé’s unconventional compositions and theatrical flourishes initially irritate the contest organizers but ultimately win over the hearts (and ears) of the audience. His comedic timing and improvisational genius shine through in every scene, making him a standout character whose antics are guaranteed to elicit laughter from even the most stoic viewer.
Musical Tapestry: A Celebration of Jazz and Vaudeville
One of “The Big Broadcast of 1936’s” most enduring strengths lies in its infectious soundtrack. The film seamlessly weaves together jazz standards, vaudeville melodies, and original compositions to create a musical tapestry that perfectly captures the vibrant spirit of the era. From lively Charleston numbers to soulful ballads, the music is both entertaining and evocative, transporting viewers back to a time when radio was king and dance halls pulsated with energy.
Notable musical sequences include:
| Sequence Title | Description | Performer(s) |
|---|---|---|
| “I Can’t Help Myself (When I’m with You)” | A tender ballad performed by Carole Lombard as Dottie Lamar | Carole Lombard, the Boswell Sisters |
| “The Big Broadcast Theme” | An energetic swing number that sets the stage for the film’s musical extravaganza | The Dorsey Brothers Orchestra |
Themes of Ambition, Love, and Laughter
Beyond its entertainment value, “The Big Broadcast of 1936” touches upon universal themes that resonate with audiences even today. Dottie Lamar’s relentless pursuit of stardom reflects the unwavering ambition often found in aspiring artists, while her blossoming romance with Harry Pierce highlights the enduring power of love amidst life’s uncertainties.
The film also celebrates the transformative power of laughter. Egbert Sousé’s absurd antics and sardonic wit serve as a reminder that humor can provide solace during challenging times. “The Big Broadcast of 1936” is a testament to the enduring appeal of classic cinema, reminding us that laughter and love transcend time and place.
So, dim the lights, settle in for a night of cinematic escapism, and prepare to be transported by “The Big Broadcast of 1936”! This timeless masterpiece is guaranteed to leave you humming its tunes, chuckling at its jokes, and reminiscing about the golden age of Hollywood.